phoenix wrote:Excuse me!
Pompous, pretentious, pseudo-intellectuals.
If you care to take a look at the fourth post you will find that it does not need a paid-for "degree" from Harvard to suss what I have already told you for free ........
Windbag, fakes, mashen gnashen!
MR-from-NG wrote:phoenix wrote:Excuse me!
Pompous, pretentious, pseudo-intellectuals.
If you care to take a look at the fourth post you will find that it does not need a paid-for "degree" from Harvard to suss what I have already told you for free ........
Windbag, fakes, mashen gnashen!
Paid for? paid for degree? How dare you. The young man is doing his phd, has got the Aga Khan Fellowship and will one day become a professor and will be a leader in his field. Paid for my arse.
phoenix wrote:MR-from-NG wrote:phoenix wrote:Excuse me!
Pompous, pretentious, pseudo-intellectuals.
If you care to take a look at the fourth post you will find that it does not need a paid-for "degree" from Harvard to suss what I have already told you for free ........
Windbag, fakes, mashen gnashen!
Paid for? paid for degree? How dare you. The young man is doing his phd, has got the Aga Khan Fellowship and will one day become a professor and will be a leader in his field. Paid for my arse.
I feel even cleverer than before then
MR-from-NG wrote:denizaksulu wrote:MR-from-NG wrote:denizaksulu wrote:kafenes wrote:denizaksulu wrote:
I love all this. If it was made in Turkey (which it is not) the writing would have still been some Arabic or Persian formulas. In the centre it says Allah so it is not Persian. One of the cartouches has the mord (I think ) of Magrib - which would have been the western Arab world ie. Fas, Tunisisa or Cezayir. My guess is Moroccan. I have quite a few of these lus rectangular Persian ones.
Someone has tried to polish this one which has taken the sheen off. I am sure it was not Kafenes.
Tomorrow in day light I will be looking for more clues as to the origin. The background arc designs surely are Morrocan.
Thanks Deniz, very interesting. I guess if I hold on to it for a hundred years or so it might be worth something.
The few I bought were for their aestetic beauty. I love Arabic Calligraphy. Old Turkish being the easiest to read. The ones used in Turkey are most likely made in Syria or Egypt. The designs as mentioned by other keen forumers would be based on earlier designs.
Just been told the motifs in the background are what those in the know call "split-leaf palmettes" which were used all the way from Egypt to Central Asia but very rarely in Morocco.
Thanks. We will get there eventually. Art forms do 'travel'. The so called 'Moorish' architecture had travelled all the way from the near East to Spain. Yet I am in no position to argue this point. Thanks Mr.fr.NG.
I've learnt not to argue with my son on this subject too He's a right smart-ass
umit07 wrote:Where do you people learn all this stuff about motifs? I'm a bit surprised at the amount of response this post got. I can't even tell the difference between Osmanlıca and Arabic.
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